![]() Find it here on Something Else! each Saturday. ‘Saturdays in the Park’ is a multi-writer, song-by-song examination of the music of Chicago. “Let It Snow” is easily the best song on the entire album. When listening in my car, I always play the great ending a second time. Lee Loughnane solos over the riff supplied by James Pankow (trombone) and Walt Parazaider (saxophone), with a few exhilarating bars as the song fades. “Let It Snow” also closes with one of the famed Chicago horn section’s 10 best moments. It’s also an upbeat arrangement that is meant to be fun, and it succeeds. Songfacts®: This was written by the lyricist Sammy Cahn and the Broadway songwriter Jule Styne in 1945. However, on “Let It Snow” he gives a solid performance with a soulful vocal. Loughnane is a fine horn player, but an average singer at best. His all-star moment – the one in which he hit a pinch-hit grand slam, ran back the opening kickoff for a touchdown, and hit a tie-breaking three pointer at the buzzer – was on Chicago XXV: The Christmas Album, the group’s 1998 holiday project. As part of this increased prominence over the years, Lee Loughnane has taken on a somewhat larger share of the composing and singing duties, while receiving inconsistent reviews in the process. He and Robert Lamm appear to be the group spokesmen these days. ![]() Loughnane has raised his profile considerably as Chicago aged ungracefully, because he is one of the original members who managed to survive the band’s inner turmoil all these years. Intro: Daniel Daley, Choir, Both Let it snow, let it snow Let it snow, let it snow Let it snow, let it snow Let it snow, let it snow, yeah, ooh Let it snow, let it. He was the sixth man on a basketball team, the first pinch-hitter off the bench, the kick-off return man on a football squad.Įvery team needs members like Loughnane, however, because they often can make a difference between winning and losing a game – and, as any sports fan knows, one game can make a difference between becoming a champion or being the team that time forgot. During Chicago’s hey day, trumpeter Lee Loughnane was never the main focus.
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